Today Exeter PhD candidate and digital artist Richard Carter presented examples of his latest artwork and gave a fascinating talk on the thinking behind their creation.
Richard’s creative practice involves computer encoding written messages into intricate visual patterns, producing images that explore the structures and processes underpinning our contemporary digital environment.
In his talk, Richard discussed how he is seeking to not only open up new perspectives on technologies that are continually reshaping how we perceive and engage with the world around us, but to demonstrate how artistic practices can function as significant tools of academic research.
Using 256 sequences of computer-generated triangular tiles, Richard’s works are created to a greater or lesser extent by himself; he makes creative decisions about colour and sequence of some of his works using rules and systems, but the patterns emerging in other works are generated randomly by a computer sensitive to atmospheric sounds immediately around it. He is fascinated that computer glitches and external forces can generate new dimensions to his work and are out of his, the artist’s control. The pictures are contingent not only on the actions of the person at the computer, but by the surrounding active material world.
Some of Richard’s work will be on public display in the Wor(l)ds in Collision: Visual Art and Wittgenstein’s Philosophy exhibition in Byrne House on the University’s Streatham Campus on weekdays from 12 June to 15 September 2015.